Fat Albert primarily spoke to African-American youth in low-income families, a segment of the population previously ignored by Saturday morning programming. However, the show had an impact on children across the United States, regardless of race. The show always had an educational lesson emphasized by Cosby's live-action segments, and the gang always gathered in their North Philadelphia junkyard to play a rock song on their cobbled-together instruments. Cosby's Kids had an upbeat attitude and were eager to learn, in spite of their apparent poverty.
The special, which aired on NBC, was a hybrid of live-action and animation. The music for the special was written and performed by jazz pianist/keyboardist Herbie Hancock in 1969 and was released on the Warner Bros. album Fat Albert Rotunda. For the animated portion of the special, it was necessary to develop the actual appearance of each of the Fat Albert Gang's characters. For this, Ken Mundie relied on animator Amby Paliwoda, a former Disney artist. Paliwoda not only created all the Gang's characters, but painted a "group portrait" which was eventually shown on the front page of TV Guide magazine shortly before the showing of the special, and which contributed significantly to the special's large television audience.
The producers wanted NBC to bring Fat Albert to Saturday mornings, but they refused because the series was too educational. Bill Cosby and a new production company, Filmation Associates, took the property to CBS. The Fat Albert gang's character images were primarily created by the artist Randy Hollar with the assistance of one-time Disney animator Michelle McKinney, under the direction of Ken Brown.
Fat Albert was honored and noted for its educational content, which included Cosby earning a Doctorate in Education. In every show's opening Cosby would playfully warn:
"This is Bill Cosby comin' at you with music and fun, and if you're not careful you may learn something before it's done. So let's get ready, OK? Hey, hey, hey!"
During each episode, Fat Albert and his friends, collectively known as The Junkyard Gang, dealt with an issue or problem commonly faced by young children, ranging from stage fright, first loves ("puppy love"), medical operations, and skipping school to harder, more serious themes (though toned down somewhat for young children) including smoking, vandalism, stealing, racism, immigration, being scammed by con artists, child abuse, kidnapping, drug use, and even gun violence. At the end of most episodes (there seem to have been exceptions in the case of particularly serious themes), the gang would sing a song about the theme of the day. This sequence, similar to those seen in other Filmation shows including The Archie Show, has often been parodied. The musical sequence was dropped during the Brown Hornet/Legal Eagle years. Despite the reputation of educational children television series for being unpopular on commercial television, the series enjoyed one of the longest runs in the history of the Saturday morning cartoon timeslot.
The special, which aired on NBC, was a hybrid of live-action and animation. The music for the special was written and performed by jazz pianist/keyboardist Herbie Hancock in 1969 and was released on the Warner Bros. album Fat Albert Rotunda. For the animated portion of the special, it was necessary to develop the actual appearance of each of the Fat Albert Gang's characters. For this, Ken Mundie relied on animator Amby Paliwoda, a former Disney artist. Paliwoda not only created all the Gang's characters, but painted a "group portrait" which was eventually shown on the front page of TV Guide magazine shortly before the showing of the special, and which contributed significantly to the special's large television audience.
The producers wanted NBC to bring Fat Albert to Saturday mornings, but they refused because the series was too educational. Bill Cosby and a new production company, Filmation Associates, took the property to CBS. The Fat Albert gang's character images were primarily created by the artist Randy Hollar with the assistance of one-time Disney animator Michelle McKinney, under the direction of Ken Brown.
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"This is Bill Cosby comin' at you with music and fun, and if you're not careful you may learn something before it's done. So let's get ready, OK? Hey, hey, hey!"
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